|
''The Pit and the Pendulum''〔Williams, Lucy Chase. ''The Complete Films of Vincent Price'', Citadel Press, 1995. ISBN 0-8065-1600-3. As Williams notes, the actual onscreen title was "Pit and the Pendulum".〕 is a 1961 horror film directed by Roger Corman, starring Vincent Price, Barbara Steele, John Kerr, and Luana Anders. The screenplay by Richard Matheson was based on Edgar Allan Poe's short story of the same name. Set in sixteenth-century Spain, the story is about a young Englishman who visits a forbidding castle to investigate his sister's mysterious death. After a series of horrific revelations, apparently ghostly appearances and violent deaths, the young man becomes strapped to the titular torture device by his lunatic brother-in-law during the film's climactic sequence. The film was the second title in the popular series of Poe-based movies released by American International Pictures, the first having been Corman's '' House of Usher'' released the previous year. Like ''House'', the film features widescreen cinematography by Floyd Crosby, sets designed by art director Daniel Haller, and a film score composed by Les Baxter. A critical and box-office hit, ''Pits commercial success convinced AIP and Corman to continue adapting Poe stories for another six films, five of them starring Price. The series ended in 1965 with the release of ''The Tomb of Ligeia''. Film critic Tim Lucas and writer Ernesto Gastaldi have both noted the film's strong influence on numerous subsequent Italian thrillers, from Mario Bava's ''The Whip and the Body'' (1963) to Dario Argento's '' Deep Red '' (1975).〔Lucas, Tim. ''Video Watchdog'' Magazine, issue #74 (August 2001), pg. 55. Review of ''The Pit and the Pendulum'' DVD〕〔Gastaldi, Ernesto. Interviewed by Tim Lucas in ''Video Watchdog'' Magazine, issue #39 (May–June 1997), pgs. 28 – 53, "What Are Those Strange Drops of Blood in the Scripts of Ernesto Gastaldi?"〕 Stephen King has described one of ''Pits major shock sequences as being among the most important moments in the post-1960 horror film.〔 ==Synopsis== In sixteenth century Spain, Englishman Francis Barnard (John Kerr) visits the castle of his brother-in-law Nicholas Medina (Vincent Price) to investigate the mysterious death of his sister Elizabeth (Barbara Steele). Nicholas and his younger sister Catherine (Luana Anders) offer a vague explanation that Elizabeth died from a rare blood disorder six months earlier; Nicholas is evasive when Francis asks for specific details about the disease. Francis vows that he will not leave until he discovers the true circumstances surrounding his sister's death. During dinner with the family physician, Dr. Leon (Antony Carbone), Francis again asks about his sister's death. Dr. Leon tells him that his sister died of massive heart failure, literally "dying of fright". Francis demands to be shown where Elizabeth died. Nicholas takes him to the castle's torture chamber. Nicholas reveals that Elizabeth, under the influence of the castle's "heavy atmosphere", became obsessed with the chamber's torture devices. After becoming progressively unbalanced, one day she locked herself into an iron maiden, and died after whispering the name "Sebastian". Francis refuses to believe Nicholas's story. Francis tells Catherine that Nicholas appears to feel "definite guilt" regarding Elizabeth's death. In response, Catherine talks about Nicholas's traumatic childhood. Their father was Sebastian Medina, a notorious agent of the Spanish Inquisition. When Nicholas was a small child, he was exploring the forbidden torture chamber when his father (also played by Price) entered the room with his mother Isabella and Sebastian's brother, Bartolome. Hiding in a corner, Nicholas watched in horror as his father repeatedly hit Bartolome with a red-hot poker, screaming "Adulterer!" at him. After murdering Bartolome, Sebastian began torturing his wife slowly to death in front of Nicholas. Catherine and Francis are later informed by Dr. Leon that Isabella in fact was not tortured to death, rather she was entombed behind a brick wall while still alive. Dr. Leon explains, "The very thought of premature interment is enough to send your brother into convulsions of horror." Nicholas fears that Elizabeth may have been interred prematurely. The doctor tells Nicholas that "if Elizabeth Medina walks these corridors, it is her spirit and not her living self." Nicholas believes his late wife's vengeful ghost is haunting the castle. Elizabeth's room is the source of a loud commotion, and it is found ransacked and her portrait slashed to ribbons. Her beloved harpsichord plays in the middle of the night. One of Elizabeth's rings is found on the keyboard. Francis accuses Nicholas of planting the evidence of Elizabeth's "haunting" as an elaborate hoax. Nicholas insists that his wife's tomb be opened. They discover Elizabeth's putrefied corpse frozen in a position that suggests she died screaming after failing to claw her way out of her sarcophagus. Nicholas faints. That night, Nicholas–now on the verge of insanity–hears Elizabeth calling him. He follows her ghostly voice down to her tomb. Elizabeth rises from her coffin and pursues Nicholas into the torture chamber, where he falls down a flight of stairs. As Elizabeth gloats over her husband's unconscious body, she is met by her lover and accomplice, Dr. Leon. They had plotted to drive Nicholas mad so that she could inherit his fortune and the castle. Leon confirms that Nicholas "is gone", his mind destroyed by terror. Elizabeth taunts her insensate husband. Nicholas opens his eyes and begins laughing hysterically while his wife and the doctor recoil in horror. Believing himself to be Sebastian, he replays the events of his mother and uncle's murders. He overpowers Dr. Leon, believing him to be Bartolome, and Leon falls to his death in the pit while trying to escape. Nicholas seizes Elizabeth, and repeats his father's promise to Isabella to torture her horribly. Francis, having heard Elizabeth's screams, enters the dungeon. Nicholas confuses Francis for Bartolome, and knocks him unconscious. He straps him to a stone slab located directly beneath a huge razor-sharp pendulum. The pendulum is attached to a clockwork apparatus that causes it to descend fractions of an inch after each swing, ever closer to Francis's torso. Catherine arrives just in time with Maximillian, one of the servants. After a brief struggle with Maximillian, Nicholas falls to his death in the pit. Francis is removed from the torture device. As they leave the basement, Catherine vows to seal up the chamber forever. They slam and lock the door shut, unaware that Elizabeth is still alive, gagged and trapped in the iron maiden. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Pit and the Pendulum (1961 film)」の詳細全文を読む スポンサード リンク
|